Grands do not sit on a shelf. They arrive in ones and twos, they are prepared to order, and the right one depends as much on your room as on the model. Tell us the space and the budget, and we will tell you what is available.
We do not keep a standing list of grands online, and any dealer who does is usually showing you a piano that sold months ago. Grands arrive in ones and twos, they are prepared to order, and the right instrument depends as much on your room as on the model badge.
So the honest process is short: tell us the room and the budget, and we will tell you what we have or what we can source. If nothing suitable is on the floor, we will say so rather than push you toward the wrong piano.
This is where most grand enquiries end, so it is worth settling early. Measure the space the piano will live in, then tell us the number.
Length from the keyboard to the tail, and the width at the widest point. Then add walking room on every side.
Door widths, lift depth, landing turns and whether the management office will release the service lift on the day.
A grand sounds very different with the lid up. In a small hard room, a fully open lid can be too much.
If the room is tight, a tall Yamaha upright gives you much of the bass without the floor area. We will say so if that is the better call.
The model name alone tells you very little. Each page below gives the length, the weight and the case dimensions of that model, plus an honest read on whether it suits your room. We do not hold all of these at once, so use them to work out what you want, then ask us what is on the floor.
Yamaha's shortest grand at 149 cm, made for rooms that cannot take a full baby grand.
Yamaha's long-running grand line before the C series. Many are two-pedal domestic instruments.
Yamaha's conservatory line and the grands you meet in music schools and recital rooms.
Yamaha's full concert instrument at 275 cm. A stage piano, not a living-room one.
Yamaha's earliest grand numbering, before the G and C lines replaced it. Two-pedal instruments built for the domestic Japanese market.
Not a consolation prize. A full-height Yamaha upright at 131 cm beats a tired small grand on tone, on tuning stability and on what it costs to keep.
Including instruments we did not sell. Grands are moved in parts by our own crew, not by a general removal team.
Ask us, because the answer changes. Grands arrive in ones and twos rather than in batches, and they are prepared to order. Message us with your room size and budget and we will tell you what is on the floor or what we can source.
More than people expect. Measure from the keyboard to the tail and at the widest point, then add walking clearance on every side and room for the lid to open. Send us the numbers and we will tell you honestly whether it works.
Not automatically. A full-height 131 cm upright often beats a short grand on tone, because string length matters more than the shape of the case. We will tell you when the upright is the better instrument for your money.
In parts. The legs and lyre come off, the body goes onto its side on a padded skid, and it is carried by our own crew rather than a general removal team. It is reassembled, levelled and tuned once it has settled in the room.
Grand stock moves quickly. Message us with your room size and budget and we will tell you what is available, or whether an upright is the better buy.